Practical

Students in Ann Hobart's ceramics class master the difficult art of hand-building.

Ceramics instructor Ann Hobart demonstrates the proper technique for glaze coating.

Practical

Instructor Phil Bermeburg delves into the science of propane as a fuel source in Art 530:  Kiln Technology and Firing Theory.

Jonathan Verock poses a question.

Class members are reflected in an overhead mirror.

Brainy

The drawing classes are usually quiet and solemn. One will often find students and instructors deep in concentration.

In art, students will not always agree with their teachers.

A work of art is both an individual's vision and a collaboration.

Exciting

Sam Smith started out with a ball of clay and shapes it into what will ultimately be a finished piece.

Practical

Ann Hobart, right, ceramics instructor, reviews student Jessica Baumel's progress on a project.

Exciting

Hailie Duenkel describes her ceramics project; a work in progress.

Practical

Ryan Browning, drawing instructor, left, takes advantage of an extra long cork board in the hallway outside of his Tatem Hall classroom to post student work for critique and evaluation.

Practical

Ian Basset, pursuing a Master of Fine Arts. degree in Ceramic Arts, dries newly thrown pots outside of Tatem Hall.

Charming

Prints hang in the sun in one of Hood's art studios.

Practical

Instructor Andrea McCluskey uses a Design and Printmaking student's work to generate classroom discussion.

Practical

A digital photography class proves popular for students of all ages.

Charming

The concentration of a drawing student, as well as that of the plaster bust behind him, appears to be on his easel.